fix: post layout
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2 changed files with 109 additions and 41 deletions
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@ -28,19 +28,27 @@ categories:
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比如：
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> I was scanning through the skies
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> And missed the static in your eyes
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```
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[00:05.842] I was scanning through the skies
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[00:09.199] And missed the static in your eyes
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```
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> 把天空扫描了一遍又一遍
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> 却再也无法对上你的视线
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```
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[00:05.842] 把天空扫描了一遍又一遍
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[00:09.199] 却再也无法对上你的视线
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```
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又如：
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> With the distance amplified
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> Was it all just synthesized?
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```
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[00:20.526] With the distance amplified
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[00:24.165] Was it all just synthesized?
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```
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> 你我的距离不断扩大
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> 这一切到底孰真孰假？
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```
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[00:20.526] 你我的距离不断扩大
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[00:24.165] 这一切到底孰真孰假？
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```
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### 2. 追求前后连贯
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@ -48,13 +56,31 @@ categories:
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例如，在专辑**HORIZONS**的单曲**[ICARUS](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-CN/HORIZONS/04-Icarus.lrc)**中，桥段部分有这样两句：
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> So fall back down, back down again
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> You've got your heads in the clouds, on the ground again
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```
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[02:42.053] Fall back down, back down again
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[02:48.643] You've got your heads in the clouds, on the ground again
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```
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此句实际上是在对伊卡洛斯的反复尝试和失败进行总结。因此我们选择抓住"fall back down"和"again and again"进行演绎，将视角从伊卡洛斯的尝试过程拉远到他屡战屡败的宿命：
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> 又一次折戟沉沦 又一次烈火焚身
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> 又一次踌躇满志 又一次满身伤痕
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```
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[02:42.053] 又一次折戟沉沦 又一次烈火焚身
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[02:48.643] 又一次踌躇满志 又一次满身伤痕
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```
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又如专辑**Vessels**的单曲**[Everglow](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-CN/HORIZONS/04-Icarus.lrc)**：
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```
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[01:49.535] Falling through a landslide
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[01:52.032] Feeling like the first time I felt you
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```
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此处的`Falling through a landslide`是`the first time I felt you`时“我”的`Feeling`，因此结合起来翻译比单独翻译更为合适：
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```
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[01:49.535] 有如被山崩裹挟
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[01:52.032] 与你初见便情不自已
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```
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### 3. 适当进行展开
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@ -62,23 +88,31 @@ categories:
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例如专辑**Vessels**的单曲**[Ricochet](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-CN/Vessels/05-Ricochet.lrc)**：
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> We were one and the same
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> Running like moths to the flame
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```
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[00:42.906] We were one and the same
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[00:45.212] Running like moths to the flame
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```
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此处以飞蛾扑火作为比喻，重点并非在形容你我二人因“扑火”而走向毁灭（下文的`They only richochet`才是二人感情的结局，此处仍是上一句`We were one and the same`的延续），而是在“扑”这个出于本能、难以抗拒的情感。基于此，我们在翻译中刻意强调了“扑”这个属性。
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> 你我曾是心心相印
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> 如飞蛾扑火般相向奔赴
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```
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[00:42.906] 你我曾是心心相印
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[00:45.212] 如飞蛾扑火般相向奔赴
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```
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又如专辑**Vessels**的单曲**[Telepathic](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-CN/Vessels/14-Telepathic.lrc)**：
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> Don't want your star-crossed fate
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> You are the sun, I am the full moon
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```
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[01:35.526] Don't want your star-crossed fate
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[01:38.264] You are the sun, I am the full moon
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```
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文中“太阳——月亮”是对二人关系的绝妙比喻，可这种关系到底是一种怎样的关系？歌曲反复围绕“我”进行心理描写，但从未直接点出。所以在翻译时我们借此道出了这段“你了解我，而我却不甚了解你”的关系的特点：
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> 不想走入那多舛的命途
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> 你宛若白日 可我只能做你的附属
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```
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[01:35.526] 不想走入那多舛的命途
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[01:38.264] 你宛若白日 可我只能做你的附属
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```
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## 我们希望看到你的翻译！
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@ -10,7 +10,7 @@ categories:
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## 緣起
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一直以來，我們都是在有新歌發布或影片編輯需要時現場進行歌詞翻譯。但在[STARSET Wiki](https://starset.wiki/zh-tw/home)建立之後，這種工作模式越來越無法滿足我們的需求————Wiki的整理工作要求我們對每一首STARSET歌曲建立準確的理解，因此我們需要整理正確的歌詞，並在此基礎上對原有翻譯進行完善或重譯。
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一直以來，我們都是在有新歌發布或影片編輯需要時現場進行歌詞翻譯。但在[STARSET Wiki](https://starset.wiki)建立之後，這種工作模式越來越無法滿足我們的需求————Wiki的整理工作要求我們對每一首STARSET歌曲建立準確的理解，因此我們需要整理正確的歌詞，並在此基礎上對原有翻譯進行完善或重譯。
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因此，我們建立了[starset-mirror/starset-lyrics](https://git.owu.one/starset-mirror/starset-lyrics)儲存庫，以開放、統一的[標準](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/README.zh-TW.md)組織和整理相關歌詞與翻譯。**如果你也有自己的翻譯，歡迎向這裡提交以[完善儲存庫內容](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/README.md#%E5%AE%8C%E5%96%84%E5%AD%98%E5%82%A8%E5%BA%93%E5%86%85%E5%AE%B9)**。
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@ -28,19 +28,27 @@ categories:
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比如：
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> I was scanning through the skies
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> And missed the static in your eyes
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```
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[00:05.842] I was scanning through the skies
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[00:09.199] And missed the static in your eyes
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```
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> 把天空掃描了一遍又一遍
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> 卻再也無法對上你的視線
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```
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[00:05.842] 把天空掃描了一遍又一遍
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[00:09.199] 卻再也無法對上你的視線
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```
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又如：
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> With the distance amplified
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> Was it all just synthesized?
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```
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[00:20.526] With the distance amplified
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[00:24.165] Was it all just synthesized?
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```
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> 你我的距離不斷擴大
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> 這一切到底孰真孰假？
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```
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[00:20.526] 你我的距離不斷擴大
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[00:24.165] 這一切到底孰真孰假？
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```
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### 2. 追求前後連貫
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@ -48,13 +56,31 @@ categories:
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例如，在專輯**HORIZONS**的單曲**[ICARUS](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-TW/HORIZONS/04-Icarus.lrc)**中，橋段部分有這樣兩句：
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> So fall back down, back down again
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> You've got your heads in the clouds, on the ground again
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```
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[02:42.053] Fall back down, back down again
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[02:48.643] You've got your heads in the clouds, on the ground again
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```
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此句實際上是在對伊卡洛斯的反覆嘗試和失敗進行總結。因此我們選擇抓住"fall back down"和"again and again"進行演繹，將視角從伊卡洛斯的嘗試過程拉遠到他屢戰屢敗的宿命：
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> 又一次折戟沉淪 又一次烈火焚身
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> 又一次躊躇滿志 又一次滿身傷痕
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```
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[02:42.053] 又一次折戟沉淪 又一次烈火焚身
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[02:48.643] 又一次躊躇滿志 又一次滿身傷痕
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```
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又如專輯**Vessels**的單曲**[Everglow](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-TW/HORIZONS/04-Icarus.lrc)**：
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```
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[01:49.535] Falling through a landslide
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[01:52.032] Feeling like the first time I felt you
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```
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此處的`Falling through a landslide`是`the first time I felt you`時“我”的`Feeling`，因此結合起來翻譯比單獨翻譯更為合適：
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```
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[01:49.535] 有如被山崩裹挾
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[01:52.032] 與你初見便情不自已
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```
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### 3. 適當進行展開
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@ -62,23 +88,31 @@ categories:
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例如專輯**Vessels**的單曲**[Ricochet](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-TW/Vessels/05-Ricochet.lrc)**：
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> We were one and the same
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> Running like moths to the flame
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```
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[00:42.906] We were one and the same
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[00:45.212] Running like moths to the flame
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```
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此處以飛蛾撲火作為比喻，重點並非在形容你我二人因“撲火”而走向毀滅（下文的`They only richochet`才是二人感情的結局，此處仍是上一句`We were one and the same`的延續），而是在“撲”這個出於本能、難以抗拒的情感。基於此，我們在翻譯中刻意強調了“撲”這個屬性。
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> 你我曾是心心相印
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> 如飛蛾撲火般相向奔赴
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```
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[00:42.906] 你我曾是心心相印
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[00:45.212] 如飛蛾撲火般相向奔赴
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```
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又如專輯**Vessels**的單曲**[Telepathic](https://git.owu.one/starset-mirror/starset-lyrics/src/branch/main/zh-TW/Vessels/14-Telepathic.lrc)**：
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> Don't want your star-crossed fate
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> You are the sun, I am the full moon
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```
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[01:35.526] Don't want your star-crossed fate
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[01:38.264] You are the sun, I am the full moon
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```
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文中“太陽——月亮”是對二人關係的絕妙比喻，但這種關係到底是一種怎樣的關係？歌曲反覆圍繞“我”進行心理描寫，但從未直接點出。所以在翻譯時我們藉此道出了這段“你了解我，而我卻不甚了解你”的關係的特點：
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> 不想走入那多舛的命途
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> 你宛若白日 但我只能做你的附屬
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```
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[01:35.526] 不想走入那多舛的命途
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[01:38.264] 你宛若白日 但我只能做你的附屬
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```
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## 我們希望看到你的翻譯！
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